The Dropkick Murphys and Rancid Escape Virtual Reality to Tour from Boston To Berkeley (II)

The Dropkick Murhys, Boombox Band! Photo Credit: Ken Susi

Boston to Berkeley, USA – It has been over a year in the making. The last 2 times we saw them, it was on a small screen to an audience of millions all over the world (2020 St. Patty’s and 2021 St. Patty’s) while overcoming the restrictions of the times as only the Dropkick Murphys could do (interview). Now, they have been released from the confines of their virtual world and are again taking on the live stage, with Rancid, embarking on their 2021 Boston to Berkeley II Tour. 

Dropkick Murphys and Rancid Tour Schedule – image courtesy of the Dropkick Murphys

The tour, which was originally scheduled for 2020, officially kicked off on 8/10 and will continue through October. This will mark the Dropkick Murphys’ first tour with Rancid since 2017 and will also include their special guests, The Bronx, at most stops. You can visit their websites for more details and to order tickets.

Rancid’s Tim Armstrong said, “Looking forward to hitting the road with the Dropkick Murphys again for the second edition of our Boston To Berkeley Tour.  Our good buddies The Bronx will be joining us on tour as well.  See ya in the pit!”

Dropkick MurphysKen Casey said,Can’t wait to get back out there and kick the touring door open again. This is a great lineup and we are gonna take the country by storm.” 

Rancid and Dropkick Murphys have a long and important history together. Back in 1997, Rancid’s Lars Frederiksen came across a copy of Dropkick Murphys’ original EP at a friend’s house. He turned it over to his bandmate and Hellcat Records president Tim Armstrong, who quickly snatched up the band for his new label.

Emerging from the blue-collar swamps of Berkeley, California, Rancid has now been a living, breathing punk rock band for over a quarter century. Back in 1991, after the demise of their much beloved first band, Operation Ivy, founding members Tim Armstrong (vocals, guitar) and Matt Freeman (bass, vocals) decided to do the impossible ­– start an even better band. Thus, Rancid. Signing with Epitaph Records, the band released their first album Rancid in 1993. Shortly thereafter, Lars Frederiksen (vocals, guitar) joined the band, because…well, are you going to tell him he can’t? The result, in 1994, was Let’s Go. In 1995, Rancid released the classic platinum-selling …And Out Come The Wolves. You still remember when you first heard it. They followed with the even more ambitious Life Won’t Wait in 1998, and in 2000, Rancid released another album entitled Rancid, just to see if anyone was paying attention. After Indestructible in 2003, Branden Steineckert (drums) joined to solidify Rancid’s current lineup. They subsequently released the albums Let The Dominos Fall (2009) and Honor Is All We Know (2014). And out now is another immediate classic, Trouble Maker (2017).

The Dropkick Murphys Photo Credit: Kes Glozier

Dropkick Murphys proudly remain Boston’s rock ‘n’ roll underdogs turned champions. Since 1996, the boys have created the kind of music that’s meant to be chanted at last call, in packed arenas, and during the fourth quarter, third period, or ninth inning of a comeback rally. Their celebrated discography includes four consecutive Billboard top 10 album debuts (2021’s Turn Up That Dial11 Short Stories Of Pain & Glory, Signed and Sealed in BloodGoing Out In Style), along with 2005’s gold-selling The Warrior’s Code featuring the near double platinum classic “I’m Shipping Up To Boston.” Whether you caught a legendary gig at The Rathskeller (The Rat) under Kenmore Square, found the band by taking the T to Newbury Comics to cop Do Or Die in ’98, discovered them in Martin Scorsese’s Academy Award-winning The Departed, or saw ‘em throw down at Coachella (or one of hundreds of other festivals), you’ve become a part of their extended family. Dropkick Murphys’ music has generated half-a-billion streams, they’ve quietly moved 8 million-plus units worldwide and the band has sold out gigs on multiple continents. In 2020, the band was one of the first to embrace streaming performances, starting with their Streaming Up From Boston St. Patrick’s Day virtual performance. It was followed by last year’s landmark Streaming Outta Fenway livestream, which drew more than 5.9 million viewers and held the #3 spot on Pollstar’s “Top 2020 Livestreams” chart. Dropkick Murphys St. Patrick’s Day Stream 2021…Still Locked Down, was #1 on Pollstar’s Livestream chart for the week ending March 22, 2021, logging over 1 million views. Dropkick Murphys is: Al Barr (lead vocals), Tim Brennan (guitars, accordion, mellotron, whistles, vocals), Ken Casey (lead vocals, bass guitar), Jeff DaRosa (banjo, bouzouki, mandolin, harmonica, acoustic guitars, vocals), Matt Kelly (drums, percussion, vocals), James Lynch (guitar, vocals), Kevin Rheault (touring bassist) and Lee Forshner (touring bagpipe player).

For more on Dropkick Murphys, visit:

Website: www.DropkickMurphys.com
Facebook: www.facebook.com/DropkickMurphys
Instagram: www.instagram.com/dropkickmurphys
Twitch: www.twitch.tv/dropkickmurphys
Twitter: www.twitter.com/DropkickMurphys
YouTube: www.youtube.com/DropkickMurphys

For more info on Rancid, visit:

Website: www.rancidrancid.com
Facebook: www.facebook.com/rancid
Twitter: www.twitter.com/rancid
Instagram: www.instagram.com/rancid/
YouTube: www.youtube.com/rancid

Courtesy of Ashton-Magnuson Media

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Dave Pearson is based out of Richmond, VA by way of Hayward, WI. He has long had a passion for music. Growing up in rural Wisconsin, he rocked out to the likes of Barry Manilow, Neil Diamond, and The Lettermen. Then, one Saturday night, being the rebel he was born to be, he caught an Alice Cooper interview (it may have been on The Midnight Special) and saw him perform, “Welcome to My Nightmare”. Dave was hooked on Rock and Roll (and many other genres as well). Dave has enjoyed (amateur) photography to some degree most of his adult life. Recently Dave started to apply his event photography skills in various music settings with success. He finds that photographing a performance gives him a much greater appreciation for the artist.